A SMALL PALETTE. A LONG WAY TO GO.
Learn the way
into a color.
Eight paints. A world between them. Find a starting mixture, understand its direction, and make it your own.
Oils · first studio study · estimated mixtures
BURNT SIENNA → ULTRAMARINE
to begin.
Your working palette
EIGHT-PAINT OIL PALETTEWhat’s documented, and what’s estimated?
Pigment identities and example transparency descriptions were referenced against Gamblin’s published Artist’s Oil Colors specifications (checked October 17, 2026). Recipes, screen colors and mixing predictions are our own uncalibrated estimates and do not reproduce measured Gamblin mixtures. The Mixing Room is not affiliated with or endorsed by Gamblin. Paint formulations and transparency vary by manufacturer; check your actual tube.
All screen colors, absorption/scattering inputs, tinting strengths and recipes are illustrative estimates. Titanium White has relative strength 1. Other strengths are fitted to estimated 1:4 white-tint lightness anchors, with a shared dark-paint correction of 0.070. Mixing uses 31 estimated spectral bands; neither these spectra nor the reference tints are physical measurements. Thin-film previews show an estimated layer over a light ground, not a measured glaze or solvent recipe. Parts mean approximate equal volumes of paint. Check a small mixture before making a pile.
This example palette uses PBr7 Burnt Sienna and a two-pigment Sap Green (PY83 + PB15:2). Their transparency labels describe the referenced formulations, not every paint sold under those names. These material differences matter even when two opaque screen colors look similar.
LOOK AT THE RELATIONSHIPS
One mixture leads to another.
Choose a study to explore it.
Save useful starting piles to your sheet.
FIND THE IMPORTANT PASSAGES
A starting palette for your painting.
Use your photograph, then tap passages you want to mix. Or extract eight broad color groups. Your image stays in this browser.
No reference selected.
Tap the image to sample a passage. Broad groups are suggestions; choose what matters.
TAKE IT TO THE EASEL
Your starting piles.
Estimated recipes · equal-volume parts · Eight-paint oil reference palette. Make small tests and adjust by eye. Screen previews are not measured paint matches. Thin previews use a light ground. *White-tint previews add 4 volumes white per volume of colored paint, retaining any white in the recipe.
NOTICE. CHANGE ONE THING. LOOK AGAIN.
Color is a relationship.
Twelve short studies for the easel.
Explore with your selected atlas mixture.
Teaching sources and boundaries
Adapted from Russell Parrish’s VTL color-field and material-color skill references. The lessons distinguish displayed color, perceived color in context, and paint behavior. They do not run the VTL image analyzer or assign a quality score.
Further reading: Albers Foundation: Interaction of Color · GOLDEN: Color Mixing Guide.
These are original teaching demonstrations, not reproductions of published plates. Screen effects vary with viewing conditions. Value views use linear-sRGB luminance rendered as neutral grey; this is a display approximation, not a measurement of paint value. All paint mixtures remain estimates.
RETURN TO THE EASEL
Your saved studies.
Stored in this browser on this address. Export backups to move studies or protect them before clearing browser data. Images stay on your device.